Who influences who, between Venice and the Venice of the North?
|
| Francesco GUARDI Piazza San Marco, 1760-1770 - Bergamo Accademia Carrara |
"Venetian and Flemish Masters
After an initial meeting in 2009,
museums in Flanders and northern Italy
bring to their new schools in perspective.
C onfrontations between masterpieces of
Museum of Fine Arts Antwerp
Museum of Fine Arts Antwerp
and the Accademia Carrara Bergamo *.
(* one of the finest collections of Venetian paintings)
Venetian and Flemish Masters offers
chronologically:
4 centuries for 4 sections dealing 4 main themes:
chronologically:
4 centuries for 4 sections dealing 4 main themes:
- portrait
- the saints in the midst of nature
- the sacred and the profane
- panoramic views
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| Joachim PATENIER, The flight into Egypt , 17th one hundred |
Palais des Beaux-Arts
access: rue Royale.
dates:
Friday 11 / 2 to Sunday, 08/05/2011
Practical Info:
Open Tuesday to Sunday from 10am to 18h.
Noctune Thursday until 21h.
réciproques Influences:
Au four hundred, Bellini Influence Van Eyck avec ses portraits, there mutandis que celu-exports are naturalism.
|
| Giovanni Bellini, Madonna and Child , tempera, 47x34 cm, 1470-1475 , Bergamo Academy Carrara |
the Cinquecento, the Venetians emancipated techniques of Flemish Primitives: Titian, Tintoretto, Veronese detonate color and illuminate the landscape of Patenier .
the seicento, Rubens, Italy, rubbed off on Tiepolo.
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| Peter Paul Rubens The Holy Trinity 1620 - Oil on panneaul - 158 x 152 cm - Koninklijk Museum voor Schone Kunsten Antwerpen |
Finally, Settecento, styles proliferated in Venice
in agony: pictures by Canaletto to genre scenes by Guardi sarcastic but influence of excess Jordaens.
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| CANALETTO He Canal Grande da Palazzo Balbi Oil on Toitle, 61x90 cm - Bergamo, Accademia Carrara |
Certainly Venetian and Flemish schools
could not exist without the other !
Places in this exhibition ...
could not exist without the other !
Places in this exhibition ...
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